Lecture Series – Ingmar Bergman; Cinematic mirror to the human soul- The beginning of cinematic modernism with Prop’ Aner Preminger

We invite you to a new lecture series, Fascinating and rich on Ingmar Bergman, To be called by Prof. Anner Preminger, Independent filmmaker, Lecturer and Academic Researcher.

About the series:

Ingmar Bergman (1918 – 2007) Redefined the art of cinema after World War II and became one of the designers of modernism in cinema in the second half of the twentieth century. He was an intrusive and groundbreaking director for forty years., Where open, Through cinema, A skydher to the person's condition in an absurd reality, Alienated and uncertain. He became a symbol of personal-artistic cinema., Who expressed his inner and intimate world. We take a peek into his world in a series of three lectures through excerpts from his influential films seared as cultural icons.

Prof. Preminger is a producer, Screenwriter and director of feature films and documentaries since then 1986. Member of the European Film Academy EFA since then 2005. Jerusalem Creator Award Winner 2017 On contributing to the film industry and cultural life in the city, On behalf of the Jerusalem Film and Television Project; International Film Festival- 34, Jerusalem and the Association of Filmmakers and Television in Jerusalem.

Lecture No. 1
Tuesday 22 December at 19:00

Persona and Wild Tothy; Travel Movies – Between the Human Faces, The Theatre and the Dream

Persona (s), 1966 -Two that are one; A face that's silenced., Talking Faces.
Wild Tothy, 1957, Cinema as a Dream; Consciousness plunges into the depths of the subconscious in dealing with death.

Lecture No. 2
Tuesday 29 December at 19:00

Home – Between Shelter and Prison, In the face of God's silence

Travel Films, A game between the chessboard and the wandering theater stage – the haunting past and death awaits in the future: Wolf Hour, 1967; Seventh Seal, 1957; Through the dark glass, 1962.

Lecture No. 3
Tuesday 5 January at 19:00

Scenes from Married Life – Innovative Cinematic Representation of Couples

You can't together and you can't separate; Journey from self to others and return to self:
Passion, 1969; The Naked Night/Sawdust and Glitter, 1953.